Queen of hearts dating usa

Rose- and Baies-scented candles are lit, and there’s a full makeup table in another corner. I don’t come from money; it’s not that important a part of my life.

She says we have 20 more minutes to talk, then she has to do her sound check for 10 minutes, then vocal warm-ups for another 10, then we can talk again while she’s having her makeup done. She admits she’s always been in full control and comfortable in her skin. I come from a very big family of a lot of women who did everything on their own.” (Later, her manager, Jonathan Dickins—the only person she says she completely trusts besides her boyfriend—tells me, “I met her when she lived [in London’s Brixton] above a convenience store, next to a gas station, and she would walk into a room and not give a fuck if she was speaking to the janitor or the head of the record label. Obviously I have nice things, and I live in a nicer area than I grew up in.

It’s like they become intimidated by it, like I’m A note here about her laugh, which comes often and has been described as a “cackle,” but is really more a raucous burst of appreciation at something either she or someone else has said.

According to Beyoncé, “It is so easy to talk to her and be around her.

I say it was brave of her to have a child in the midst of such a big, successful career. You’ll be talking to someone, but you’re not really listening, because you’re so fuckin’ tired.“My friends who didn’t have kids would get annoyed with me,” she continues, “whereas I knew I could just sit there and chat absolute mush with my friends who had children, and we wouldn’t judge each other. I’m enjoying touring, but at times I feel guilty because I’m doing this massive tour, and even though my son is with me all the time, on certain nights I can’t put him to bed. You’re constantly trying to make up for stuff when you’re a mom. And in her “real,” non-work life, she is fiercely private and so protective of her son that, she says, “I’d sue the fuckin’ ass off anyone that comes anywhere near my child.”As we pull into the backstage area of Staples Center, she—a 10-time Grammy winner—says she’s “nostalgic” about this arena because the award show is held here.

She creates songs that go deep and expose pain and vulnerability with her soulful voice. She is gregarious and totally at ease, and we immediately start to talk about L. She recently purchased a house in Beverly Hills, because she spends so much time recording here and got tired of renting houses that weren’t properly baby-proofed, or private enough, or the pool was broken, and it was a waste of money. She raves about their balsamic cheese (“I ate the whole thing”), and we somehow segue into grooming.

She takes you places other artists don’t go to anymore—the way they did in the ‘70s. At the previous night’s concert she gave a shout-out to her new favorite L. She shows me her long fake nails, which she says are coming off straight after the tour.

That was her at 18 and that’s her at 28: completely unflappable, completely her own woman.”) Adele says, “My entire life revolves around my child, so everything is timed, because he’s on a routine.”We sit on the sofa, and I ask her if she still has her previously well-documented stage fright. “I get nervous, as opposed to the projectile vomiting and trying to avoid the stage.” She says she didn’t have to tour, and she doesn’t understand why people are addicted to touring. That was my goal from the age of seven: it was ‘I ain’t living here.’ I didn’t care how I was getting out, I didn’t care where I’d be living, but I knew I wasn’t living there.

“I’d still like to make records, but I’d be fine if I never heard [the applause] again. I love being famous for my songs, but I don’t enjoy being in the public eye.

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From behind the scenes of her world tour, she opens up about the challenges of motherhood, melancholy, and mega-stardom. We’re on our way to Staples Center for the second of eight sold-out L. A Van Cleef & Arpels bracelet with colored round jewels is on her right arm.

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